New Cat Posters
Our Latest Cats – Fresh from the Studio
Here you’ll find the latest cats from the YES WE CAT studio. In this collection, we’ve gathered our most recent designs—freshly created by our team of artists and ready to find a new home.
From playful cat characters to fresh takes on classic art styles: these cats have just been created and are waiting to be discovered.
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She's not in a hurry. Not because she's running late — but because hurry is the opposite of style, and style is everything. Meet Caterina: Vespa rider, Tuscan native, and firm believer that life is at its best when the scarf is flying, the road is long, and nobody asks where you're going. Perhaps the pizzeria. Perhaps the vineyard. Perhaps nowhere in particular. Fa niente.
He reads. He drinks. And he knows things — things you'd rather not know, and others he'll share with no one, because that's the power he holds. Meet Ser Whisker: bibliophile, connoisseur, and quiet believer that knowledge is the only currency that truly matters. This poster is for everyone who has ever looked at a cat and thought: I am, actually, that cat.
She looks forward — but somewhere inside her the pines stand, the mist settles, the forest breathes in its oldest silence. Cats carry worlds within them that we cannot see. Forests no human has ever entered. This double exposure makes visible what every cat person has always sensed: that within this creature lives something larger than the space it occupies. Still. Deep. Entirely itself.
He didn't take over the sofa. He completed it. Without him it would just be a piece of furniture — with him it's the warmest spot in the room. That's what cats do: they move in, and suddenly everything is different. The plants look better. The light falls softer. And you know you're home — because someone is already asleep there, as if they never lived anywhere else.
It was a trap. She knows that now. First the candles — suspiciously relaxing. Then the bubbles — actually quite soft. And then the rubber duck — which just sits there, saying nothing. Now she's in the bath, eyes the size of saucers, thinking. Not about how to escape. About how this was allowed to happen in the first place. Some moments change everything. This is one of them.
The coffee is there. The croissant too. The sun is out. And she sits — finding none of it particularly convincing just yet. The portrait on the wall looks exactly the same. It runs in the family.
Bonjour mon amour, says the poster. She says nothing. Not yet. Ask again in an hour.
He hates water. Everyone knows that. But Claude the Cat is also an adventurer — and when he heard that a certain Claude Monet had painted a pond that sounded a little like it might be named after him, his mind was made up.
Now he moves through the water lilies, tail held high, eyes steady and bright — absolutely certain that this was his plan all along.
The wave is enormous. The boats are struggling. Mount Fuji watches — and Nami glides right over it, as if this were the most natural thing in the world. Because it is. Cats are not stopped by forces of nature. Certainly not by waves. Hokusai captured the most dramatic moment in Japanese art — and Nami turned it into a Sunday stroll.
6:03 am. Breakfast was supposed to be served at 6:00.
Meet Luna: virtuoso of inner drama, master of the wordless accusation, and firm believer that three minutes late is a catastrophe of historic proportions.
Munch painted this moment — he just didn't know it was inspired by a cat. Now you do.
In 1932, eleven ironworkers sat on a steel beam above Manhattan and ate their lunch. The photographers marvelled. The workers shrugged. Decades later, seven cats have claimed the same beam — and shrug accordingly, insofar as that's anatomically possible. New York has changed. The height hasn't. And the certainty that this spot belongs to you hasn't either.
He always stood alone on that rock. That's what we learned. That's what we remembered. But perhaps we weren't looking closely enough — because there, to his left, she sits. Still. Upright. Her gaze fixed on the same sea of clouds. She doesn't ask where the journey leads. She's simply there. The way cats always are — quietly, naturally, and exactly where it matters.
In 1969, four men crossed a zebra crossing in London. The world took notice. Decades later, four cats cross the same stripes — no rehearsal, no discussion, no asking anyone's permission. The formation works anyway. Because some things just do. Because some roads are made to be crossed. And because cats have always known where they're going — even when nobody else does.